Monsters Sometimes Always Monsters Somet

Vagabond Dog has announced a follow up to its 2014 drama gameAlways Sometimes Monsters.

Confusingly titledSometimes Always Monsters, the game appears to be a second attempt at tackling real-life problems such as racism, police brutality, and mental health. As with the first game,Sometimes Always Monsterswill be presented through a branching narrative with an emphasis on “consequence, circumstance, [and] choice.”

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The first game went to some really dark places, exploring the likes of homophobia, child abuse, and drug addiction. While many praised the game, some people did have concerns about its handling of some topics involved.

We don’t know much other than this teaser trailer andthe plot summary on the Vagabond Dog website, but here’s hoping they can pull off the topics they want to with care and nuance,

John and Molly sitting on the park bench

You play the author of a widely debated hit. Recently married, pressure to provide for your household mounts. As you seek inspiration to write a sequel, you join a cross country bus tour of like-minded authors.

As you explore the city stops with your new friends, there seems to be no limit to what life may bring you. Fans and strangers invite you into their lives and have their fates changed. Your words echo through the world as you shape the story.

Close up shot of Marissa Marcel starring in Ambrosio

Responsibility is what you make of it when we’reSometimes Always Monsters.

At least we know the soundtrack will be good. That teaser’s music reminds me ofBojack Horseman, and that makes me happy.

Kukrushka sitting in a meadow

Lightkeeper pointing his firearm overlapped against the lighthouse background

Overseer looking over the balcony in opening cutscene of Funeralopolis

Edited image of Super Imposter looking through window in No I’m not a Human demo cutscene with thin man and FEMA inside the house

Indie game collage of Blue Prince, KARMA, and The Midnight Walk

Close up shot of Jackie in the Box

Silhouette of a man getting shot as Mick Carter stands behind cover